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The fact that this was a time when Mahesh Bhatt was the counter-point to laboriously staged love stories. He pulled it all off because somehow, he was touched for the span of this film by that incredible, hard-to-explain magic dust that makes everything work even in a less-than-perfect film.Īnd who will ever say that this was a perfect film? It referenced everything from Rebel Without A Cause to the theme music of The Thorn Birds to Bhatt’s preoccupation with a difficult father and son bond, but here is what worked.
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He walked slowly, languidly through shadowy corridors and chased the girl he loved through the crowded streets of Mumbai with equal conviction and even pulled off a most unrealistic lost-and-found song.
AASHIQUI MOVIE SONG FULL
Not quite handsome, not quite ugly but full of real yearning, anger you could touch and all the desperation and heated impulses of the young. And Rahul Roy? With Pancholi’s full-bodied, impetuous voice, he turned out to be just right for the part. Yes, there should have been more Mahesh Bhatts in the industry then to see the potential of this girl and to see that she could be more than just a Khalnayika in the years to come. She just held a lighter to her face, asked the man to let the recording deal go and added matter-of-factly, “Nahi to main iss chehre ko aag laga doongi.” She was not hysterical or overly dramatic. And full of restraint even when she was suicidal and screamed, “Main thak gayin hoon!” Or when she took on a maliciously powerful executive trying to block her boyfriend’s recording deal. She had a surprisingly good diction and voice too.